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    • Our intentions
    • Core Contributors
    • us

  • series four

    • Soundbites
    • Embodied storytelling
    • Earthly witnessing in rock formations
    • Augmenting the space of the home to fulf
    • Distress, interrupted
    • Playing with curatorial practices
    • How to make a Shepherd’s Pie

  • series three

    • Embodied Exchanges: Asking and Listening With the Lived Body
    • Choreography of Labour
    • The Poetics of Crystallisation
    • Reverse Ruins + Ordinary Void
    • Camera Phone Recording its Own Mineral Condition

  • series two

    • Forever Elsewhere: Thinking of Disorientation through Body Topologies
    • Photographically Imaging the Self(ie)
    • The White Garden: Notes on a Suburban Garden
    • Searching for a Bullet in a Wounded Indian Sepoy
    • Affect and Care in Curatorial Practise
    • The Third State: Transcendental Technologies and Black Feminist Spiritualities
    • Black Forum Label
    • COOL DELICIOUS EVERYTHING

  • series one

    • I'm Ugly But Trendy
    • Mechanical Reproduction of the Mundane Domestic
    • Post-Scriptum feminist notes in the post-colonial
    • Togetherness! Re Batla Monata Fela!!
    • Ghost Signs and Power Lines
    • Body Studio
    • 3D Object and the Museum Space

  • Contact

  • Publications

    • COUNTERFIELD PUBLICATION #1

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    counterfield.research@gmail.com

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    Photographically Imaging the Self(ie)

    Images  From The Workshop led by Peter Ainsworth

    series two: archiving futures constructing pasts

    Get in Touch

    counterfield.research@gmail.com

    Goldsmiths College, London